The thing that differentiated her from other writers — and still does to this day — is her songwriting. The world now knows Taylor Swift as a global pop superstar, but back in 2006, she was just a doe-eyed country prodigy. Despite its ghoulish title, artificial intelligence appears to be the object of terror in what many, including the GRAMMY voters who awarded it Best Pop Duo/Group Performance in 2024, regard as the highlight of SZA’s sophomore. But four years after the Team Edward vs Team Jacob saga wrapped up, folk hero Jason Isbell proved mythical bloodsuckers weren’t a barrier to awards success. David Bowie fans may well feel aggrieved that his post-punk classic «Scary Monsters (and Super Creeps)» was entirely ignored by GRAMMY voters, while the bro-step banger it inspired was showered with awards. It’s a bold feminist act that helped power parent album CrazySexyCool to diamond status and was deservedly rewarded with Best R&B Performance By A Duo Or Group With Vocal at the 1996 GRAMMYS (where CrazySexyCool was also crowned Best R&B Album).
And in true Swiftian fashion, turning into a pop artist didn’t just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience «intense love, intense frustration, jealousy and confusion» — all feelings that she’d describe as «red.»
While the world is still anticipating her ninth studio album, Rihanna — now a mom of two boys — continues to make her own rules and move at her own pace. With the glorious «Lift Me Up,» she found herself in the top 10 for the first time since 2017’s «Wild Thoughts.» Ever since ANTI, Rihanna’s devoted fanbase has been begging for a new album, with Rih playfully trolling them with responses like «I lost it» and Instagram captions that read, «Me listening to R9 by myself and refusing to release it.» Accolades aside, ANTI is proof that magic happens when an artist of Rihanna’s caliber follows their own instincts in pursuit of creating a body of work — one that can outlast them and continue to inspire generations to come. For instance, «Sex with Me» is featured on the deluxe edition as a bonus track, but managed to crack the Hot 100 at No. 83 and reach No. 8 on the R&B/Hip-Hop Airplay chart. Elsewhere on ANTI, Rihanna drunk dials an ex («Higher»), compares smoking weed to her lover («James Joint»), and chastises a guy for getting emotionally attached after their fling («Needed Me»).
The record also featured the popular power ballad “Unfaithful,” as well as singles “We Ride” and “Break It Off.” The album debuted at No. 5 on the Billboard 200 chart and earned her first No. 1 hit with the catchy pop single “SOS,” which spent three weeks atop Billboard’s Hot 100. In 2008, Rihanna topped the chart three times, twice with her own songs “Disturbia” and “Take a Bow,” plus a feature on T.I.’s “Live Your Life.” She has also earned nine number-one songs on the UK Singles Chart and ranks second to the Beatles for the most million-selling singles in the country. This made her the artist with the most digital single awards and the first performer to exceed RIAA’s 100 million cumulative singles certification threshold. With estimated worldwide sales exceeding 250 million records as of 2023, Rihanna is one of the best-selling music artists of all time.
In December, Nancy will headline a celebration of her career featuring female artists including Renée Neufville. In August, she released a new Mad Professor-produced album, Armageddon — her first LP in over 20 years. Rihanna comes out of left field with the Prince-inspired «Kiss It Better,» the album’s second single, which sees the superstar falling back on addictive sex that «feels like crack» to justify a destructive relationship. The black-and-white, red paint-splattered album cover signals a rebirth, featuring a real-life image of Rihanna as a child. Released four years after Unapologetic — her longest gap between albums at the time — ANTI illustrated Rihanna’s greater desire for quality over quantity. With 13 No. 1s and twice as many top 10 hits under her belt, Rihanna set out to create timeless music instead of chasing a radio-friendly formula with her 2016 magnum opus, ANTI.

Hit Songs

No longer was she the girl writing songs like «Fifteen» in her bedroom — now she was working through becoming a highly publicized figure. Although Swift’s eponymous debut is underappreciated now — even lacking its own set on Swift’s Eras Tour — Taylor Swift’s forthcoming rerecording is arguably the most anticipated by fans, who are eager to hear the songs with the singer’s current and more refined vocals. The album’s lead single, «Tim McGraw,» an acoustic country ballad inspired by Swift knowing her relationship was going to end, represents an intricate part of Swift’s songwriting process; meticulously picking apart her emotions to better understand them. As a songwriter, Taylor Swift set the tone for what would be expected of her future recordings — all songs were written by her, some solely and others with one or two co-writers.

The Life of a Showgirl: Offering A Peek Behind The Curtain

And on Aug. 13, she opened up about the concept and creation of the record on her now-fiancé Travis Kelce’s podcast, «New Heights.» To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan («Peter»), and Patti Smith. It pokes fun at so-called fans who overstep with her personal life («But Daddy I Love Him»), says goodbye to a city that gave her a home («So Long London»), and muses on how her own celebrity has stunted her growth («Who’s Afraid Of Little Old Me?»). As a result, there had arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February.

Halloween Songs That Have Won GRAMMYs: «Thriller,» «Ghostbusters» & More

It’s a highlight on The Life of a Showgirl as it’s a testament that, regardless of how much time has passed or the fame that Swift has achieved, she still looks back on those who changed her life early on. Swift doesn’t want you to get it twisted, though — this is an album about the life of a showgirl, not an album about being a performer. She’s no longer anxious in love («Eldest Daughter,» «Honey») and for the first time, she owns all of her work and is in complete artistic control («Father Figure»).

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It topped the charts in several territories, spending ten consecutive weeks at number one on the UK Singles Chart and seven at number one on the Billboard Hot 100. The album debuted at number two on the Billboard 200, selling 162,000 copies in its first week. Regarded as a turning point in her career, it marked a shift from the Caribbean-influenced sound of her earlier work, embracing a more contemporary pop direction driven by uptempo dance tracks. It became her first RIAA-certified double platinum album, surpassing one million units sold. Soon after releasing Music of the Sun, Rihanna began working on her second studio album in September 2005.

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Their «FourFiveSeconds» is a pop-folk hybrid with a universal message about carrying the weight of the world on your shoulders. Another overlooked jam, her sultry «Can’t Remember to Forget You» duet with Shakira sees both stars trade lines about struggling to let go of an undeserving lover. Both larger-than-life productions won GRAMMYs for Best Rap/Sung Collaboration betista casino in 2010 and 2012, respectively.
Her first hit single was «Pon de Replay,» which peaked at No. 2 on the Billboard singles chart in 2005. This pivotal move allowed her to focus on honing her vocal talents and recording a demo album that would ultimately pave the way for her music career. Her third album, «Good Girl Gone Bad,» marked a significant turning point in her career, showcasing her growth as an artist and solidifying her image as a bold and edgy figure in music. The record also featured popular single “Where Have You Been,” as well as “You da One,” and title track “Talk That Talk.” “We Found Love” later won Best Short Form Music Video at the 2013 Grammys. The upbeat pop record featured her first radio hit, the club anthem “Pon de Replay,” which debuted at No. 2 on the Billboard Hot 100 chart. Since then, the singer has released seven more albums, which are all platinum or multi-platinum, making her one of the best-selling artists in the world.
Highly regarded as Swift’s magnum opus, Red sees the singer shed the fairytale dresses and the girl-next-door persona to craft a body of work that has now been deemed as her first «adult» record. Writing the entire album herself, Swift used Speak Now to prove her songwriting prowess to those who questioned her capabilities. For the first time since becoming an artist, she was forced to reckon with the concept of celebrity and how turning into one — whether she wanted it or not — informed her own writing and perception of herself. On the album’s liner notes, Swift says Fearless is about «living in spite» of the things that scare you, like falling in love again despite being hurt before or walking away and letting go.
«SOS» became her first song to reach number one on the Billboard Hot 100, while «Unfaithful» was a top-ten single worldwide. The song was released on May 25, 2005, and became a commercial success, reaching number two on both the US Billboard Hot 100 and the UK Singles Chart. Departing from Def Jam in favour of Jay-Z’s label, Roc Nation, she released the eclectic Anti (2016)—her second number-one album.

In 2014, Shakira featured Rihanna on her single «Can’t Remember to Forget You». In December 2013, she topped both the Billboard Hot 100 and UK Singles Chart with a feature on Eminem’s song «The Monster». Rihanna made a cameo in the comedy film This Is the End (2013), and later collaborated with rapper Wale on his remix of the single «Bad». To promote the album, Rihanna embarked on the 777 Tour, performing seven shows in seven countries over the course of seven days. In September 2012, the music video for «We Found Love» won Video of the Year at the MTV Video Music Awards, making Rihanna the first woman to receive the honour more than once. In March, Rihanna and Brown released two remixes—her track «Birthday Cake» and his «Turn Up the Music»—which were criticized due to their history of domestic violence.

True to her Carribean heritage, Rihanna’s dancehall-inspired debut single «Pon de Replay» earned the then 17-year-old Barbados native her first entry on the Hot 100 at an impressive No. 2. As the world eagerly awaits new music, celebrate 20 years of Rihanna with the monstrous hits, ambitious projects, brow-raising visuals, and iconic collabs that propelled her to international stardom — and why it’s all put her in a league of her own. Performing hit after hit while unveiling a baby bump, her 13-minute set became one of the most-watched halftime shows of all time with over 121 million viewers. Even her business ventures have been a massive success, as her Fenty Beauty brand is worth nearly $3 billion as of press time.
Off stage, though, she was falling in love again — this time with someone who championed her just as much as the fans did in the areas. It’s apt that she would turn to Max Martin and Shellback, her 1989 and reputation collaborators, to bring that same captivating pop soundscape to The Life of a Showgirl and to capture some of the energy Swift was experiencing. And after two decades in the business, the 14-time GRAMMY winner is giving everyone a glimpse of what she describes as «the most infectiously joyful, wild, dramatic» chapter of her life thus far.
Her most conceptual album to date, Midnights charts 13 sleepless nights and explores five themes, from self-hatred and revenge to «what if» fantasies, falling in love, and falling apart. Sonically, evermore is a slight departure from its sister record; where folklore relies on more alt-leaning and indie-tinged sounds, evermore takes the sonics from all of Swift’s past records — from pop to country to indie rock — and features all of them on one album. Some songs, like «peace,» were recorded in just one take, capturing the essence and fragility in the song’s story, whereas the lyrics for the sun-drenched «august» were penned on the spot as Swift was in her makeshift home studio in Los Angeles. Swift described reputation as a bait-and-switch; at their core, the songs are about finding love in the darkest moments.
Only eight months later, in August 2005, she released her first single, “Pon de Replay,” a reggae-influenced club track that reached No. 2 on the Billboard singles chart and announced Rihanna as the next up-and-coming pop star. Rihanna soon followed with the album A Girl Like Me (2006), featuring the up-tempo club-oriented “S.O.S.” The song, which was built around a sample of Soft Cell’s 1981 new-wave hit “Tainted Love,” became Rihanna’s first to top the Billboard singles chart. Rihanna has fourteen number-one singles on the US Billboard Hot 100 chart, placing her third for the most chart-topping songs in its history. The songs «Man Down», «California King Bed», and «Cheers (Drink to That)» were released as singles from Loud in 2011. The project yielded a string of successful songs, including the US number-one singles «Umbrella», «Take a Bow», and «Disturbia».
But if you want to add a bit of prestige to your supernatural soundtrack, there’s another list of Halloween-friendly songs to check out — one that highlights another celebrated annual occasion. With Halloween celebrations in full swing this Oct. 31, revisit some eerie or ghoulishly titled songs that have been awarded golden gramophones, from the ‘Exorcist’ theme to Eminem and Rihanna’s «The Monster.» More than 40 years later, she’s still happy to discuss and play that single she recorded back in Kingston as a young woman.

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